Tag Archives: olla
Mostrar el gest, amb Susana Solano
A leading protagonist of the renewal of Spanish sculpture in the eighties and with a recognized international projection, Susana Solano visits the resident artists to talk about the relationships she establishes with her sculptures and the different stages of her practice, from her first works, made in wood, which she soon abandoned to incorporate methods […]
Drop-out and other uncertainties, with Andrea Valdés
With writer and journalist Andrea Valdés we will hold an opening session of her latest research, putting it in relation to the works of writer Carla Lonzi and artist Lee Lozano, two artists in whom converge assemblages and historical fractures related to feminisms, the transformation of labor and the emergence of programmatic forms dedicated to […]
Garganta/Surco/Brazo (A Prefigurative Script)
Lorenzo Sandoval presents Garganta/Brazo/Surco (A Prefigurative Script), an occasion to open the Garganta/Brazo/Surco research within OLLA, Hangar’s Common Research Program (more info coming soon). In this session we will share the production process of the script, as a way of sharing the project’s writing methodologies and reflecting together on the notion of rights of nature.
Garganta/Brazo/Surco explores […]
Words of Weather, with Daphne Dragona
Weather exists as an atmosphere that can be measured, as an environment that lives, and as a time in which we experience humidity, pressure, temperature, and visibility. What would be appropriate meteorological terms that relate to this choice of concerns: measurement, experience, and time? This session will feature a conversation with curator and researcher Daphne […]
Fake Therapy, with Valentina Desideri
During a morning, Hangar’s resident artists held a Fake Therapy session with the artist Valentina Desideri. What is Fake Therapy? Here the practice and explained by her:
Fake Therapy is a practice between two people that stimulates and reactivates the sometimes hidden capacities of anyone to heal someone (or something) else. It is an autonomous practice […]
