Tag Archives: practicable
PRACTICABLE 11_Open Call: callisto by Lucia Palladino
“For me, all ways of knowing the world are constituent parts of the world itself. They form it, so to speak. Thus to know also means to inform the world while the world is informing us. Practicing different ways of knowing therefore means practicing different agencies on the world. Verbal language is one way of […]
PRACTICABLE 10_Manglar
Smell, tangle, mud, crossroads. The mangrove (manglar) is the transition zone between marine and terrestrial biomes, it is the reciprocal visit between the forms and sensitivities of water and land. It fills and empties every day, pneuma of the tides (lunar chronotopy), balance. Sea animals come daily to copulate, to lay their eggs, to take […]
PRACTICABLE 9_Open call: “Why I never became a dancer, anotado” by Jeleton
Practicable 9 proposes a new “anotado” of the series of workshops-publication of Jeleton (*) to investigate by doing from the piece Why I never became a dancer (1995), by Tracey Emin. Anotados are a series of collective publications where several people gather around a work of art that has circulated in the artistic field and […]
PRACTICABLE 8_”Apotome”, solo live performance by Khyam Allami
Next Wednesday May 29th at 7pm, Khyam Allami will present in Hangar a new electronic maqāmic work utilizing Apotome; a free browser-based software he created in collaboration with Counterpoint Studio. Apotome is the catch-all title for a transcultural music project highlighting the cultural asymmetries, biases and non-neutrality inherent in modern sonic technologies, alongside their interconnected […]
PRACTICABLE 8_“Otherness and sound technologies” with Khyam Allami
Music creation, as well as sonic imaginaries and vocabulary, are inextricably dependent on sound technologies and their impact on transcultural musical practice. Taking the self-generated software Apotome and the general coordinates of his research as a starting point, Khyam Allami highlights the cultural asymmetries, biases and non-neutrality inherent in current music creation software, allowing for […]
PRACTICABLE 7_Open Call: “Yes to everything” by Marc Vives
In this edition of Practicable, I want to share questions that have to do with the moment in which I am now, the need to stop and make a radical change. I propose to self-understand a routine that can be useful for each of the participants from the honesty and giving space to fulfill it. […]
PRACTICABLE 6_Open Call: “Between molding and un-molding: practices from the leftovers” with Sara Manente and Santiago Ribelles Zorita
Between molding and un-molding: practices from the leftovers is a study group led by Sara Manente and Santiago Ribelles Zorita that will take place in Hangar on April 8 and 9.
Using the vocabulary and imagery of fermentation and mycelium, we propose different ways of engaging with bodies (ours and others) from the performances Mold and […]
PRACTICABLE 5_Slow Reading Club / Bryana Fritz and Henry Andersen
As part of the Practicable action-research line, and in collaboration with Festival Sâlmon, Hangar opens an invitation with Slow Reading Club (SRC), a semi-fictional reading group initiated by Bryana Fritz and Henry Andersen at the end of 2016. The group is dedicated to creating situations for collective reading. The SRC observes, investigates, and interrupts reading […]
PRACTICABLE_4 Listening session and conversation with Alma Söderberg and Jaume Ferrete
Making voices, synthesis, body, continuity and progression. Modulating the research framework of Practicable_4, Alma Söderberg and Jaume Ferrete Vázquez propose a listening and conversation session at DUBLAB BCN, Hangar’s orbiting community radio platform. The triggering material is sound recordings by Laringe, Oscilador, a collective vocal practice that combines sonic production techniques from sound synthesis and […]
PRACTICABLE 4_Alma Söderberg presents ‘New Old’
On Thursday, November 2th at 18:00 pm, the performer and choreographer Alma Söderberg will present New Old at Hangar’s Sala Ricson as part of the Practicable research line.
New Old is a solo performance going back to the origins of Alma Söderberg’s practice – sitting on a chair and thinking through rhythm, voice and movement. A […]
PRACTICABLE 4_Open call: “Laringe, oscilador (larynx oscillator)” with Jaume Ferrete Vázquez
Laringe, oscillator (larynx oscillator) is a collective vocal practice in a four-session workshop format, led by artist Jaume Ferrete Vázquez, which will take place at Hangar on Tuesday, June 27; Wednesday, June 28; Tuesday, July 04 and Wednesday, July 05, from 16:30 to 20:00h.
The practice will be built from a series of […]
PRACTICABLE 3_’Dance Gathering’ by Alice Chauchat + Hidrogenesse Djs
On Saturday 18 March at 7 p.m. Alice Chauchat presents the open-air party Dance Gathering. Alice is a Berlin-based choreographer who is interested in how people and local communities can dance together. She offers new social dances that come from working with improvised dance.
The dances are simple and can be danced by anyone. They provide […]
PRACTICABLE 3_Open call: ‘The Dance of Companionship’ with Alice Chauchat
The Dance of Companionship, workshop for professional dancers with Alice Chauchat
The Dance of Companionship (2014) is a guided dance framed by a spoken text and involving the writing of poems. The text weaves together propositions for dance and narrative fragments about forms of togetherness. It is a practice of being-with: with dance, with oneself, with […]
PRACTICABLE_2. Una secreta correspondencia: Jon Mikel Euba presents Vulnerario
On Monday, October 10th at 7 pm, within the framework of the Practicable research line, Jon Mikel Euba will give the lecture Una secreta correspondencia. The lecture takes as its starting point the presentation of his book Vulnerario, and also functions as a kind of “notes from the natural” or “liquid notes” in which a […]
PRACTICABLE_1: Jinete Útimo Reino Frag. 1, audiotext source code
As a kick-off movement of the new research line Practicable, Hangar presents the audiotextual source code of Jinete Último Reino Frag. 1, by María Salgado and Fran MM Cabeza de Vaca.
Following the methodology of the “audiovisual source code” invented by the ZEMOS98 festival for artists and thinkers to release the software made by the different […]
